Courses of Instruction
AFRS BC 2004x Introduction to Africana Studies
Interdisciplinary and thematic approach to the study of Africa, moving from
pre-colonial through colonial and post-colonial periods to contemporary
Africa. Focus will be on its history, societal relations, politics and the
arts. The objective is to provide a critical survey of the history as well as
the continuing debates in Africana studies.
General Education Requirement: Cultures in Comparison (CUL). General
Education Requirement: Historical Studies (HIS).
3 points
AFRS BC 2005x Caribbean Culture and Societies
Multidisciplinary exploration of the Anglophone, Hispanic and Francophone
Caribbean. Discusses theories about the development and character of
Caribbean societies; profiles representative islands; and explores enduring
and contemporary issues in Caribbean studies (race, color and class; politics
and governance; political economy, the struggles for liberation; cultural and
identity and migration.)
General Education Requirement: Cultures in Comparison (CUL).
3 points
AFRS BC 2006y Introduction to the African Diaspora
Interdisciplinary and thematic approach to the African diaspora in the
Americas: its motivations, dimensions, consequences, and the importance and
stakes of its study. Beginning with the contacts between Africans and the
Portuguese in the 15th century, this class will open up diverse paths of
inquiry as students attempt to answer questions, clear up misconceptions, and
challenge assumptions about the presence of Africans in the 'New World.' - C.
Naylor
General Education Requirement: Cultures in Comparison (CUL). General
Education Requirement: Historical Studies (HIS).
3 points
AFRS BC 2010y-BC2010y Colonialism in Africa
This course will prepare students to examine diplomatic interactions
involving African and European polities during the eighteenth and nineteenth
century and the role that military force played in helping European nations
secure access to territory and control of resources on the African continent.
Students will also examine the vast array of forensic evidence (the broad
range of ritual compacts and treaties, the forms of proof and the legal
debates) that European merchants and political representatives used to secure
entitlements to land and resources. - M. Ralph
Prerequisites: None Corequisites: None
3 points
AFRS BC 2510x (Section 001) Ethnicity and Food
When people produce, consume or refuse food, choices that often seem
"natural," unthinking and highly personal are in fact daily acts of identity
and belonging that place individuals in the global circulation of goods,
people and resources. This course examines representations of food and
foodways as a way of understanding the politics of representation and the
complex interplay of race, ethnicity and gender. The course's units on
Ethnicity, Migration and Identity; Food & Globalization; Food and Power;
and the Politics of Pork, will allow students to understand foodways as key
expressions or embodiments of cultural affiliations and food choices as
linked to questions of morality and values. - K. F. Hall
Prerequisites: None Corequisites: None
3 points
AFRS BC 3020y Harlem Crossroads
Studies Harlem in the context of African-American and African diaspora culture and society as well as American urbanization. Primarily focusing on Harlem of the nineteenth and twentieth centuries, the course offers students opportunities to discuss political economy, immigration, migration and the role of the city in social life.
- Laurie WoodardGeneral Education Requirement: Historical Studies (HIS). Not offered in 2012-2013.
3 points
AFRS BC 3055x Slave Resistance in the United States from the Colonial
Era to the Civil War
Analyzes the multifaceted nature of slave resistance, its portrayal and theorization by scholars. Critically examines the various pathways of resistance of enslaved Africans and African-Americans, both individually and collectively (e.g., running away, non-cooperation, theft, arson, as well as verbal and physical confrontation, revolts and insurrections). Considers how gender shaped acts of resistance.
- C. NaylorGeneral Education Requirement: Historical Studies (HIS).
3 points
AFRS BC 3100x (Section 01) Medicine and Power in African
History
Examines medical discourse and practice in Africa, emphasizing relationships between power and medical knowledge. Topics include: medicine and empire, tropical medicine, colonial public health and social control, labor, reproductive health, and HIV/AIDS.
- C. CynnGeneral Education Requirement: Social Analysis (SOC). Not offered in 2012-2013.
4 points
AFRS BC 3110x (Section 01) Africana Colloquium: Critical Race
Theory
Students will examine the origins and development of race-thinking in the
Anglo‑American world with a particular focus on representation and reading
practices. Our conversations will draw upon a number of articulations of
race theory, including specific post-1980s Critical Race Theory. The course
examines "race" narratives as well as critical readings on race from
psychoanalytic, post‑colonial, feminist, and critical legal perspectives.
These readings will be framed by several interlocking questions: how does
representation both respond to and influence socioeconomic conditions? What
is the relationship of race to color, ethnicity, and nation? How does race
interact with other categories such as class, sexuality and gender? What
cultural work is performed by racial definitions and categories such as
hybridity and purity?
Prerequisites: Students must attend first day of class and admission will
be decided then. Enrollment limited to 20 students. Priority will be given to
Africana majors and CCIS students (Africana Studies, American Studies and
Women's Studies majors; minors in Race and Ethnic Studies). General Education
Requirement: Social Analysis (SOC). General Education Requirement: Literature
(LIT) General Education Requirement: Social Analysis (SOC). General Education
Requirement: Literature (LIT).
4 points
AFRS BC 3110y (Section 02) Africana Colloquium: Theorizing
Diaspora
"Theorizing Diasporic Visuality," is the first CCIS Critical Inquiry Lab - an
innovative series of linked courses sponsored by the Center for Critical
Interdisciplinary Studies. This year's lab links Professor Tina Campt's
(Barnard Africana/WGSS) Africana Studies colloquium, AFRS 3110-Theorizing
Diasporas, with May Joseph's (Pratt Social Science and Cultural Studies) WGSS
course, WMST 3117-Feminism and Film. Because cinematic visuality is an
increasingly powerful tool for influencing public opinion across
international borders, this course will train students in essential skills in
visual literacy and reading, and provide fluency in the theoretical
vocabularies of Diaspora Studies and feminist film theory and analysis. The
Lab will use films by and about women in the quotidian conditions of the
African Diaspora to teach students how gender and racial formation are lived
in diaspora, and to engage the diasporic visual practices women mobilize to
represent themselves. The course is structured around a Tuesday evening film
series featuring African women filmmakers and presentations by filmmakers,
curators, and visual artists and seminar discussion on Thursday mornings.
Students may enroll by registering for either AFRS 3110 or WMST 3117. - T.
Campt
Prerequisites: Permission of instructor.
4 points
AFRS BC 3120y History of African-American Music
Survey interrogates the cultural and aesthetic development of a variety of interconnected musical genres - such as blues, jazz, gospel, soul, funk, R&B, hip-hop, classical and their ever changing same/names - viewed as complex human activities daringly danced at dangerous discourses inside and outside the American cultural mainstreams.
- W. LoweGeneral Education Requirement: The Visual and Performing Arts (ART).
3 points
AFRS BC 3121x Black Women in America
Examines the roles of black women in the U.S. as thinkers, activists and
creators during the nineteenth and twentieth centuries. Focusing on the
intellectual work, social activism and cultural expression of African
American women, we examine how they understood their lives, resisted
oppression and struggled to change society. We will also discuss theoretical
frameworks (such as "double jeopardy," or "intersectionality") developed for
the study of black women. The seminar will encourage students to pay
particular attention to the diversity of black women and critical issues
facing Black women today. This course is the same as WMST BC3121. - K. F. Hall
Prerequisites: Students must attend first day of class and admission will
be decided then. Priority will be given to CCIS students (Africana Studies,
American Studies and Women's Studies majors; minors in Race and Ethnic
Studies). Enrollment limited to 20 students.
General Education Requirement: Historical Studies (HIS). Not offered in
2012-2013.
4 points
AFRS BC 3146x African American and African Writing and the
Screen
Focuses on the context and history of representations of African
Americans and Africans in early American and other cinematographies; the
simultaneous development of early film and the New Negro, Negritude and Pan
African movements; and pioneer African American and African cinema. - Y.
Christianse
Not offered in 2012-2013.
4 points
AFRS BC 3148y Literature of the Great Migration
(Also ENGL BC 3148) Examination of fiction, poetry, essays and films about the Great Migration (1910-1950) of African-Americans from the rural South to the urban North, focusing on literary production in New York and Chicago. (This course satisfies the Harlem Requirement for the Africana Studies major).
- Q. PrettymanGeneral Education Requirement: Literature (LIT).
3 points
AFRS BC 3150y Race and Performance In The Caribbean
Analysis of the shifting place and perception of Afro-Caribbean performance
in Caribbean societies. This course takes a cross-cultural approach that
examines performance through the lens of ethnography, anthropology, music and
literary criticism.
Prerequisites: Permission of the instructor. Sophomore Standing. Enrollment
limited to 18 students. General Education Requirement: The Visual and
Performing Arts (ART).
4 points
AFRS BC 3517x (Section 001) African American Women and
Music
Examines the music making practices of African-American women in blues,
gospel, jazz, and rock at different periods in the 20th century. Considers
the content and context of these musical productions as well as artist
biographies in order to understand the significance of music for these
producers and their audiences. - M. Mahon
Prerequisites: None Corequisites: None
3 points
AFEN BC 3520y Atlantic Crossings
This course examines the literature of transatlantic travel from Columbus's
first voyage in 1492 to Caryl Phillips's re-tracing of his mother's migration
in The Atlantic Sound (2000) to recent re-imaginings of slavery and the
Middle Passage by M. Nourbese Philip and Marlon James. Even before Columbus's
first encounter, the "Indies" sparked English desires for riches and
adventure. We will first investigate how English writers promoted an idea of
the West Indies and then came to inhabit its heterogeneous spaces, filling
them with longing and anxiety. The class will chart the emergence of modern
race thinking from the rich interaction of peoples and goods in the early
modern Caribbean. We will also question how ideals of freedom and
"English-ness" co-existed with slavery, bondage and creole life. The class
will then look at the ways later writers revisit the Caribbean's colonial
origins and discuss how notions of the West Indies may haunt modern Atlantic
travel. - K. Hall
Prerequisites: Enrollment limited to 20 students. Sign-up with the
English Department required. Only registering for the course through eBear or
SSOL will not ensure your enrollment.
4 points
AFEN BC 3525y Atlantic Crossings: The West Indies and the Atlantic
World
This class charts the emergence of modern race thinking in the early modern
English Caribbean. We will study literature of transatlantic travel from
Columbus's first voyage to Caryl Phillip's The Atlantic Sound as well as
recent re-imaginings of slavery and the Middle Passage by M. NourbeSe Philip
and Marlon James.
Prerequisites: Permission of Instructor General Education Requirement:
Literature (LIT).
4 points
AFRS BC 3528x (Section 001) Harlem on My Mind: The Political Economy
of Harlem
Drawing on social histories, primary sources, fiction, and popular culture
this course will explore the postwar history of Harlem. We will place Harlem
in the broader context of New York City and explore how domestic and
transnational migration patterns have shaped its history. Specific topics
include: urbanization, migration and settlement patterns; racial liberalism
and political incorporation; critical engagement with East Harlem as research
cite for "culture of poverty" theorists; state criminalization of youth;
underground, illegal and illicit economy from the 1960s to the 1990s;
struggles over property and gentrification; and perhaps most importantly,
exploring Harlem as cultural and political center of the Black World
throughout the twentieth century. - D. Murch
Prerequisites: None Corequisites: None
3 points
AFRS BC 3550y Harlem Seminar: Gay Harlem
This course explores Harlem's role in the production of sexual modernity and
in particular as a space of queer encounter. While much of our investigation
will be devoted to the intersection of race and sexuality in African American
life, we also consider Harlem�s history as an Italian and a Puerto Rican
neighborhood as well as its discrete micro-cosmopolitanism within the larger
global city.
Prerequisites: This course is being taught concurrently at Vassar College.
Vassar and Barnard students will collaborate to produce an interactive map of
gay Harlem. Students should be prepared for three off campus meetings that will
occur on three Fridays during the semester. The dates of these outings shall be
determined by the first day of classes.
Enrollment is by permission of the instructor and is limited to 16 students.
Students must come to the first class to be considered for admission and should
contact Africana@barnard.edu indicating interest in the course. Please use the
subject line ''Gay Harlem.'' General Education Requirement: Social Analysis
(SOC). Not offered in 2012-2013.
4 points
AFRS BC 3560x Human Rights and Social Change in Sub-Saharan
Africa
Examines the evolution of the ideas, institutions and practices associated
with social justice in Africa and their relationship to contemporary
international human rights movement and focuses on the role of human rights
in social change. A number of themes will re-occur throughout the course,
notably tensions between norms and reality, cultural diversity, economic and
political asymmetries, the role of external actors, and women as rights
providers. Countries of special interest include Liberia, Senegal, South
African and Tanzania.
Prerequisites: Permission of the instructor. General Education
Requirement: Reason and Value (REA). General Education Requirement: Ethics
and Values.
4 points
AFRS BC 3570x Africana Issues: Diasporas of the Indian
Ocean
The Indian Ocean has been called the cradle of globalization, a claim
bolstered by seasonal monsoon winds and the trade that these enabled. We will
consider the aesthetic histories of such trade by engaging literary and other
cultural exchanges (including film, visual arts, music, and dance). What did
the Zulu prophet Isaiah Shembe learn from Gujarati poets? Other than a major
slaving center and source of spices, what did role did Zanzibar play in the
development of music and literary forms that look to Oman as well as the East
Coast of Africa? We focus on four sites: Durban (South Africa), Bombay
(India), Zanzibar (Tanzania) and Port Louis (Mauritius). This course will be
taught simultaneously between Barnard in New York and the University of
Witwatersrand in Johannesburg, South Africa. Students from both campuses will
be encouraged to interact electronically and to establish a blog and website.
The course will also have live-streamed guest speakers from chosen sites
around the Indian Ocean. - Y. Christianse (Barnard) and I. Hofmeyr (Uni of
Witwatersrand, Johannesburg)
4 points
AFRS BC 3589y Black Feminism in U.S. Popular Culture
We will utilize Patricia Hill Collins' seminal work Black Sexual Politics:
African Americans, Gender and the New Racism as the core theoretical
framework for our exploration of key dimensions of contemporary U.S. popular
culture. We will address how the work of African-American
artists-scholars-activists critiques racism, sexism, classism and
heterosexism. - C. Naylor
Prerequisites: Permission of the Instructor General Education
Requirement: Social Analysis (SOC).
4 points
AFRS BC 3590x The Middle Passage
In addition to learning about the history of the Middle Passage, students will examine literary and political responses to this forced immigration out of Africa. Identifying responses to slave holding pasts, the seminar culminates in a visit to an historic site of importance in the Middle Passage.
- K. HallPrerequisites: Admission to this seminar is by application only. Applications will be made available on the Africana Studies website: www.barnard.edu/africana Not offered in 2012-2013.
4 points
AFRS BC 3998x-BC3999y Senior Seminar
A two-semester program of interdisciplinary research leading to the writing
of the senior essay. Senior Seminar is not an independent study, but a
structured seminar on methodology and criticism, which in the first semester
results in an approved and substantial thesis proposal and annotated
bibliography, and in the second semester produces the final thesis. In some
cases, a senior seminar in one of the departments contributing to the program
may be substituted for the first semester of the Senior Thesis.
8 points
Cross-Listed Courses
Art History and Archaeology
American Studies
W3931 Topics in American Studies: Race, Poverty, and American Criminal Justice
Anthropology (Barnard)
V1002 The Interpretation of Culture
V2010 Major Debates in the Study of Africa
V3160 The Body and Society
V3660 Gender, Culture, and Human Rights
Anthropology
V3926 Rewriting Modernity: Transculturation and the Postcolonial Intellectual
V3977 Trauma
Institute for Research in African-American Studies
C3930 -C3930 Topics in the Black Experience: African American Photographic Cultures
G4080 -G4080 Topics in the Black Experience: Philosophical Premises of the Aesthetics of People of African Descent
G4080 Topics in the Black Experience: Graphic Good
G4080 -G4080 Topics in the Black Experience: Comparative Social and Political Movements in Africa and the Diasporas
Art History (Barnard)
Comparative Literature (Barnard)
W4190 Race, Ethnicity, and Narrative in the Russian/Soviet Empire
Center for the Study of Ethnicity and Race
W1012 History of Racialization in the United States
W3906 Race in Scientific and Social Practice
W3943 Urban Ethnography
Dance (Barnard)
BC2580 Tap as an American Art Form
BC3570 Latin American and Caribbean Dance: Identities in Motion
BC3578 Traditions of African-American Dance
BC3980 Performing the Political: Embodying Change in American Performance
Economics
English & Comparative Literature
W3300 Black Paris
W3400 African-American Literature I
W3401 African-American Literature, 1940 to the present
W3733 Ralph Ellison
W4900 Topics in Jazz Studies: Jazz and the Literary Imagination
English (Barnard)
BC3129 Explorations of Black Literature: Early African-American Lit. 1760-1890
BC3144 Black Theatre
BC3148 Literature of the Great Migration: 1916-1970
BC3190 Global Literature in English
French and Francophone Studies
French (Barnard)
BC3070 Negritude
BC3071 Major Literary Works of the French-Speaking World
BC3072 Francophone Fiction: Unhomely Women of the Caribbean
BC3073 Africa in Cinema
French and Romance Philology
History
C1020 African Civilization
W3540 History of the South
W3760 Main Currents In African History
W3772 West African History
W4429 Telling About the South
W4518 Slavery and Emancipation In the United States
W4768 Writing Contemporary African History
W4769 Health and Healing in African History
W4928 Comparative Slavery and Abolition in the Atlantic World
History (Barnard)
BC1760 Introduction to African History: 1700-Present
BC3180 Merchants, Pirates, and Slaves in the Making of Atlantic Capitalism
BC3440 Intro to African American History
BC3980 World Migration
BC4402 Selected Topics in American Womens History
BC4546 The Fourteenth Amendment and Its Uses
BC4587 Remembering Slavery: Critiquing Modern Representations of the Peculiar Institution
BC4763 Children and Childhood in African History
BC4905 Capitalism, Colonialism, and Culture: A Global History
Music
V2020 Salsa, Soca, and Reggae: Popular Musics of the Caribbean
Political Science (Barnard)
BC3101 * Colloquium on Black Political Thought
V3604 Civil Wars and International Interventions in Africa
Political Science
Religion (Barnard)
V3630 Religion and Black Popular Cultures
Religion
V2615 Religions of Harlem
Sociology (Barnard)
V3235 Social Movements: Collective Action
V3247 The Immigrant Experience, Old and New
BC3913 Inequalities: Race, Class, Gender and Sexuality in U.S. Law and Society
Drama and Theatre Arts (Barnard)
BC3144 Black Theatre


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